Who is the Subject of Your Street Photography?

written by: CLARKE SCOTT 
Melbourne shrine street photography

Whether I am focusing my lens on the fleeting expressions of pedestrians or tracing the contours of architectural structures, each choice forges a unique narrative.

The decision of whether people or the city play the starring role in my images is more than aesthetic preference—it shapes the story that I, as a photographer, am telling. In exploring the city as my subject, the static and dynamic elements of urban environments become protagonists, revealing the essence of a place through its architecture, spaces, and ambiance.

In contrast, when people are my focal point, their gestures, emotions, and interactions become the pivot around which the essence of street life revolves. The challenge lies in capturing unguarded moments that frame human experience against the vast stage of the city. It’s a compelling dance between the individual and the collective, the personal and the public, where every photograph holds the potential to resonate with universal human themes. Exploring this dichotomy guides my perspective and determines how I approach each scene, balancing technical skill with an ethical and legal conscientiousness.

Key Takeaways

  • My approach to street photography is defined by the focus on either the city environment or its inhabitants.
  • Technical mastery and creative interpretation are instrumental in framing compelling narratives through the lens.
  • Legal and ethical considerations underpin the practice of street photography, ensuring respect and integrity.

Understanding Street Photography

Street photography is an engaging art form that captures unscripted moments of life as they unfold in public spaces. My focus in this section is to discuss the essence of street photography and its historical underpinnings, while highlighting the contributions from renowned practitioners in the field.

The Art of Street Photography

I define street photography as the practice of photographing individuals, events, and the environment in public places to document the human experience. The key elements that I consider important include:

  • Spontaneity: Capturing candid moments that are unplanned and unposed.
  • Storytelling: Conveying a narrative or emotion through a single image.
  • Composition: Utilizing photographic techniques such as the rule of thirds, leading lines, and framing.

The genre is differentiated by its raw, unfiltered depiction of society, offering an often gritty, poignant look into the daily occurrences on the streets. It serves as both an artistic expression and a form of social commentary.

  • Artistic Purpose: Street photographs are appreciated for their aesthetic quality and the photographer’s ability to find beauty in the mundane.

Historically, practitioners like Henri Cartier-Bresson have been influential in the genre. Cartier-Bresson’s notion of “the decisive moment” encapsulates the essence of street photography—capturing a convergence of factors that make a moment singularly expressive.

Historical Context and Notable Photographers

The roots of street photography can be traced back to the advent of portable cameras. Early pioneers such as Eugène Atget documented Parisian streetscapes at the turn of the 20th century. I recognize street photographers not just for their imagery but also for how they’ve shaped our understanding of the urban experience.

Here are some of the significant figures in the history of street photography:

  • Henri Cartier-Bresson (1908–2004): Often considered the father of street photography, his work exemplifies agility in capturing the decisive moment.
  • Garry Winogrand (1928–1984): Known for his portrayal of American life and its social issues.
  • Berenice Abbott (1898–1991): Documented New York City and significantly contributed to architectural photography.
  • Vivian Maier (1926–2009): Her work showcases the bustling streets of Chicago and New York, and her extensive, posthumously discovered body of work has mesmerized the art world.
  • William Eggleston (b. 1939): Credited for making color photography a legitimate art form akin to black and white.

By studying the works of these photographers, I’ve observed that each brings a unique perspective to the streets, transforming ordinary scenes into extraordinary visual stories.

Technical Aspects of Street Photography

In street photography, understanding the technical elements is crucial for capturing the essence of the environment and its people. Here, I’ll explain the importance of camera settings, light handling, and artistic choices between color and monochrome.

Camera Gear and Settings

When it comes to camera gear, I prioritize flexibility and responsiveness. A camera with a wide aperture lens (e.g., f/1.8 or f/2.8) allows for faster shooting in various lighting conditions. In terms of settings:

  • ISO: It’s best to use a lower ISO for daylight to reduce noise. In the evening or in low light, a higher ISO becomes necessary.
  • Shutter Speed: A fast shutter speed can freeze action whereas a slower speed may introduce motion blur that can add dynamism to a photo.
  • Aperture Priority / Shutter Priority: Aperture priority allows me to control the depth of field, while shutter priority is useful to manage how movement is captured.
  • Manual Mode: For full control, I switch to manual mode, balancing the ISO, aperture, and shutter speed to suit the scene.

Light and Composition

Light fundamentally shapes the mood of a street photograph. I watch how the light intersects with architecture, adding contrast and depth. Here’s how I work with light and composition:

  • I always consider the direction and quality of light—harsh light creates strong shadows while overcast conditions offer soft, even lighting.
  • For composition, the rule of thirds is my go-to starting point. I seek patterns and lines and use them to guide the viewer’s eye through the scene.

Color Versus Black and White

Choosing between color and black and white photography affects the narrative of the image.

  • Color: I use color to draw attention to particular elements within the frame, such as clothing or signage, and to convey the vibrancy of city life.
  • Black and White: By stripping away color, I focus on light, texture, and composition to tell a compelling story. It can emphasize emotions and contrast.

Deciding on color or monochrome is a creative choice that I align with the story I want to tell through my photographs.

Legal and Ethical Considerations

In my practice of street photography, I’ve come to understand that navigating both legal requirements and ethical considerations is crucial. While capturing the essence of city life, I prioritize the privacy of individuals and navigate the complexities of photographing in urban spaces with respect for each person’s personal space.

Privacy and Permission

Lawful Photography: In public places, the law typically allows for photography without explicit permission. However, this is contingent on local regulations which can vary significantly. It’s my responsibility to know the laws of the area I am photographing in.

  • Individuals’ Privacy: When I focus my lens on people, I’m aware that legal rights to photograph do not override personal privacy. Out of respect, if someone expresses discomfort or requests not to be photographed, I abide by their wishes.
  • Permission Nuances: While candid shots are a hallmark of street photography, I often engage with subjects to obtain verbal consent, especially when the photograph has potential to be intrusive.

Respect and Ethics in Urban Spaces

Balancing Rights: My right to capture images in public places is balanced by ethical considerations.

  • Respect for Personal Space: I aim to be unobtrusive and respectful, avoiding any action that might infringe upon what individuals perceive as their personal space.
  • Ethical Practice: The ethical dimension of my photography extends beyond the act of taking a photo. I make ethical choices about displaying photos, ensuring that the representation of my subjects and the city is fair and does not misrepresent or exploit them.

Ethics go hand in hand with legality in street photography. I ensure that my passion for capturing the city’s character is always aligned with respect for its inhabitants’ rights and personal boundaries.

Practice and Improvement

To advance in street photography, I focus on honing my skills in observation and editing. Mastery in these areas allows me to tell compelling stories through my images, whether my subject is the vibrancy of people or the character of the city itself.

Developing a Photographer’s Eye

I constantly train my eye to look for the extraordinary in the ordinary, a technique that is essential in street photography. Noting the urban landscape’s ebbing flow, I identify potential juxtapositions that might unfold. Here are key tips that assist me in this pursuit:

  • Observation is critical: I spend time people-watching, noting gestures, interactions, and movement patterns, which helps with anticipating moments that make for impactful photos.
  • Composition: Careful framing is vital. I pay attention to leading lines, framing, and the rule of thirds to create balanced and engaging images.
  • Juxtaposition: I seek contrasting elements within a scene—old and new, somber and vibrant, still and chaotic—to add layers of meaning to my photographs.

Post-Processing and Presentation

After I’ve collected my raw images, I focus on post-processing and presentation. This is where my stories get fine-tuned and visually narrated.

  • Editing: I use software sparingly to enhance images, ensuring that the mood and authenticity of the scene are preserved. Key adjustments include exposure, contrast, and color grading to reflect the scene’s true atmosphere.
  • Composition Refinement: Sometimes, I revisit my composition during editing. Cropping can be a powerful tool to strengthen the image’s narrative or focus more on my subject, be it person or city.
  • Consistency: For my body of work, I ensure a consistent editing style to create a coherent portfolio. This not only makes my work recognizable but also tells my story as a photographer more effectively.

Through continual observation and refined editing, I aim to create street photographs that resonate with authenticity and reveal the character of my subjects.

Frequently Asked Questions

In this section, I’ll address some common inquiries about the nuances of street photography, focusing on its key elements, the narrative, influential photographers, ethical practices, historical impact, and its reflection of urban life.

What are the essential elements to capture when shooting urban street photography?

When engaging in urban street photography, it’s crucial for me to capture the essence of the city through its dynamic environment. This includes architectural features, the interplay of light and shadow, and spontaneous moments that tell a story about the urban landscape.

How do the subjects of street photography, such as people and the cityscape, contribute to the narrative of a photograph?

Subjects like people and cityscapes are fundamental in my street photography—they offer a glimpse into the life of the city. Each subject, whether a passerby or a towering skyscraper, holds its own story, contributing to a layered and compelling narrative within the frame.

Could you list prominent street photographers who have shaped the genre with their distinct focus, either on people or the city?

Certainly, Henri Cartier-Bresson excelled with his focus on the decisive moment among people, while Stephen Shore and William Eggleston are known for transforming mundane urban settings into visually striking images.

What are the ethical considerations when photographing people in public spaces for street photography?

As a street photographer, I am always mindful of privacy and respect. I ensure not to intrude on individuals’ personal moments or exploit their images, and I’m sensitive to the legal and cultural norms of the locations where I shoot.

How has the history of street photography influenced the way we perceive the characters within our urban environments?

The history of street photography, with its raw and honest depictions of daily life, has shaped my understanding of urban environments as stages where countless unrehearsed scenes unfold, revealing the diverse narratives of those who inhabit them.

In what ways can street photography be utilized to reflect the character of a city and its inhabitants?

Through street photography, I can capture the character of a city by documenting the interactions of its inhabitants, the texture of its architecture, and the atmosphere created by different times of day and weather conditions, thus creating a multifaceted portrait of the urban experience.

Further Reading